Essay #4: A Biographical, Historical, or New Historical Reading

Due: Thursday, 11-16

Length: 2-3 pages (500-750 words)

 

 

In the last couple of weeks, we’ve studied Biographical, Historical, and New Historical Criticism, we’ve discussed “The Yellow Wallpaper” and “Revelation,” and we’ve seen the kinds of research Stephen Lynn has done in approaching the work of Charlotte Perkins Gilman, Flannery O’Connor, and John Cheever from the perspective of a critic interested in authorial biography and cultural/historical context.  Take a moment to refresh your memory by scanning Chapter Eight and Chapter Eleven. 

 

It’s time for you to choose one of these three perspectives and write your own Biographical, Historical, or New Historical essay.  You’ve seen the logic Lynn has used to research the lives of the above-mentioned writers.  Now, you must choose a short story and do some research of your own.  The Dictionary of Literary Biography is an invaluable resource for this kind of research (it’s available online through the library homepage), and the Voice of the Shuttle (available here) always makes for some interesting web-crawling.  Here are five works to choose from:

 

1)      James Baldwin, “Sonny’s Blues” (379).  Here are some useful websites about the story and the author: http://cai.ucdavis.edu/uccp/sblecture.html; http://falcon.jmu.edu/~ramseyil/baldwin.htm; http://www.storybites.com/baldwinsonny.htm. The first two sites offer a wealth of resources including biographies, bibliographies, criticism, e-texts, and lesson plans.  The third is a site produced by Karen Bernardo, a freelance editor.  It contains comments on this and many other stories.  Please contact Bernardo if you desire to quote from her insightful commentary.  Cultural and historical materials you might wish to learn about include “Horse,” or heroin; Louis Armstrong; Charlie “Bird” Parker; the G.I. Bill; the Blues.

 

2)      Katherine Anne Porter, “The Jilting of Granny Weatherall” (534).  The website for the Katherine Anne Porter Society is at http://www.lib.umd.edu/Guests/KAP/. Porter’s papers are held at the University of Maryland, where a room decorated with her furnishings houses a portion of her personal library.  The link to photographs of the room and a glimpse into the world of rare books and manuscripts is at http://www.Lib.umd.edu/ARCV/kap/kaproom.html.  A detailed history of the rosary is available at http://www.newadvent.org/cathen/13184b.htm.

 

 

3)      Cynthia Ozick, “The Shawl” (527).  Links to some rich resources, including reviews and essays by Ozick and of Ozick, are found at http://www.brothersjudd.com/index.cfm/fuseaction/reviews.detail/book_id/487/The%20Shawl.htm.  Also, you might find useful the website of the United States Holocaust Memorial Museum at http://www.ushmm.org/.

 

4)      Amy Tan, “Two Kinds” (548).  An interview with Tan, conducted when she was touring around promoting The Joy Luck Club, is online at http://www.metroactive.com/papers/sonoma/12.14.95/tan-9550.html.  A later interview is at http://www.bookreporter.com/authors/au-tan-amy.asp.  Of cultural/contextual interest might be the Mission district, The Ed Sullivan Show, and Puccini’s Madame Butterfly.

 

 

5)      John Steinbeck, “The Chrysanthemums” (541).  The webpage of The National Steinbeck Center is at http://www.Steinbeck.org/MainFrame.html.  Ed Stephan’s page, a useful collection of information and resources for Steinbeck studies, is available at http://www.ac.wwu.edu/~stephan/Steinbeck/. If you’re Nature-challenged, you might wish to learn more about chrysanthemums; you may also wish to learn more about Salinas Valley, “the salad bowl of the world,” which you can by visiting the following website: http://www.salinaschamber.com/.      

 

Your aim is to produce a reading of one of these texts from the standpoint of a Biographical/Historical/New Historical Critic.  Focus on one of these approaches (though you may end-up mixing more than one), making sure to narrow your topic down to something you could handle thoroughly in a 3 page paper—some aspect of the author’s life or culture that illuminates our understanding of the story.

 

Giant caveat:  I do not want a three-page biography of your author.  Your aim is to produce a reading of some aspect of the short story in the context of the life and times of the author. 

Lesser, but still quite intimidating, caveat:  since you are writing about the life and times of the author, some research is necessary.  After all, you want to show that the author’s life and/or culture produced the text.  I’ve already done quite a bit of research for you, and you are welcome to find more websites and articles.  But note that any research you incorporate into your essay must be documented—which means that this essay must include a Works Cited page and in-text, parenthetical citation of sources.  On a separate sheet, list all sources cited—this will be your Works Cited page. Information on MLA format can be found here.