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University of California, Santa Barbara, BA 1965 |
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Tulane University, New Orleans, MA 1968 |
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University of California, Santa Barbara, PhD 1972 |
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19th and 20th Century European Art |
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Non-Western Art |
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Visiting Lecturer, San Jose State University, 1975-76 |
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Visiting Assistant Professor, California State College/University, Stanislaus, 1976-77; Assistant Professor, 1977-81; Associate Professor, 1981-86; Full Professor, 1986 |
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Symbolism |
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Ceramics |
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Selected Articles, Chapters in Books
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“Han Van Meegeren, Fecit,” introductory chapter in The Forger’s Art, ed. Denis Dutton, Berkeley: University of California Press, 1983. |
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“The Modest Maiden in Nineteenth Century Art: The evolution of a Newly Discovered Theme,” Woman’s Art Journal, 5 (Fall 1984/Winter 1985), 7-10. |
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“Whitman and van Gogh, Starry Nights and Other Similarities,” Walt Whitman Quarterly Review, 2 (Spring 1985), 35-41. |
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“Vincent van Gogh and a Lost Painting by George H. Boughton,” Gazette des Beaux-Arts, 196 (September 1985), 71-75 |
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“The Symbolism of van Gogh’s Flowers,” conference proceedings, Van Gogh 100, ed. Joseph D. Masheck. Westport, CT: Greenwood Press, 1996. |
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Books
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The Symbolism of Mirrors in Art From Ancient Times to the Present. Lewiston, NY: Edwin Mellen Press, 1999. |
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The Continuum Encyclopedia of Native Art: Worldview, Symbolism and Culture in Africa, Native North America and Oceania. New York: Continuum, 2000. |
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The Bare Bones of Art Appreciation, 1999. Typescript currently in use as a text for Art Appreciation courses at CSU Stanislaus. |
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In Progress
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The Continuum Encyclopedia of Animal Symbolism in Art, to be published 2003. |
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Creative Work
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Reflections on The Little Prince, Villa Montalvo, Los Gatos, 2000 (Grand Prize Winner). |
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801 West Monte Vista Avenue
Turlock, California 95382
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